Florence M. Price Commission Competition

CALL FOR SCORES

  1. In its inaugural year (2022), the Price Competition welcomes applications from all Black trans women, Black cis women, and Black non-binary people that are early-to mid-career American composers. In subsequent seasons, in odd-numbered years, the competition will open to all early- to mid-career Black American composers.
  2. Applicants should submit two short, original works (or excerpts), totaling no more than 10 minutes, for consideration by an esteemed panel of three judges.
  3. The commissioned work is to be an original composition on a secular text for SATB Choir, 5-10 minutes in length, written in the concert music tradition. It may be a cappella or with one to two instruments (including piano).
  4. Text will be selected by the composer but must be approved by the Artistic Director.
  5. The work will be premiered in the fall of the Washington Master Chorale’s 2023-2024 season.  The chorale’s bio is included for the composer’s reference.
  6. Résumés, scores, and audio samples (.mp4 preferred) should be sent to info@washingtonmasterchorale.org. The application deadline is April 9, 2022.

The Florence Price Commission Competition

In the summer of 2020, in response to a generous gift from long time singer, patron, and former Board Chair Diane Kresh, the WMC board approved the creation of the annual Florence Price Commission Competition, offering a $5,000.00 commission to promote and celebrate Black Americans’ contributions to the field of choral music. The competition is named after the first African American woman to be nationally recognized as a symphonic composer. In its inaugural year (2022) the Price competition welcomes applications from all Black trans women, Black cis women, and Black non-binary people that are early-to mid-career American composers. The competition will open to all early- to mid-career Black American composers in odd-numbered years.

The first public Call for Scores is scheduled for January 14th, 2022 and will be open until Florence Price’s birthday, April 9th, 2022.

About the Price Competition Advisory Board

Damien Geter

“An artist of many talents. His operatic bass has carried him to performances on some of the greatest stages. However, it has been in recent years that his vast gifts for composing have come into just as much prominence.” — Patrick D. McCoy, LA Opera

Damien infuses classical music with various styles from the black diaspora to create music that furthers the cause for social justice. Damien’s growing body of work includes chamber, vocal, and orchestral works. Some recent commissions include: Cantata for a Hopeful Tomorrow for The Washington Chorus, Invisible for Opera Theater Oregon, The Justice Symphony for the University of Michigan, and String Quartet No. 1, Neo-Soul for All Classical Portland and On-Site Opera. His large work, An African American Requiem, will premiere in Spring 2022 in partnership with Resonance Ensemble and the Oregon Symphony.

The book he co-authored, Music in Context: An Examination of Western European Music Through a Sociopolitical Lens is available on Amazon, or directly from the publisher, Kendall Hunt.

Damien currently serves as the Artistic Advisor for Resonance Ensemble and Portland Opera. He is the owner of DG Music, Sans Fear Publishing.

Dr. Adolphus Hailstork

Adolphus Hailstork received his doctorate in composition from Michigan State University, where he was a student of H. Owen Reed.  He had previously studied at the Manhattan School of Music, under Vittorio Giannini and David Diamond, at the American Institute at Fontainebleau with Nadia Boulanger, and at Howard University with Mark Fax.

Dr. Hailstork has written numerous works for chorus, solo voice, piano, organ, various chamber ensembles, band, orchestra, and opera. Significant performances by major orchestras (Philadelphia, Chicago, and New York) have been led by leading conductors such as James de Priest, Paul Freeman, Daniel Barenboim, Kurt Masur, Lorin Maezel, Jo Ann Falletta and David Lockington. This March, Thomas Wilkins conducted Hailstork’s AN AMERICAN PORT OF CALL with the Boston Symphony Orchestra.

The composer’s second symphony (commissioned by the Detroit Symphony, and second opera, JOSHUA’S BOOTS (commissioned by the Opera Theatre of St. Louis and the Kansas City Lyric Opera) were both premiered in 1999.  Hailstork’s second and third symphonies were recorded by the Grand Rapids Symphony Orchestra (David Lockington) and were released by Naxos.  Another Naxos recording, AN AMERICAN PORT OF CALL (Virginia Symphony Orchestra) was released in spring 2012.

Hailstork’s newest works include THE WORLD CALLED (based on Rita Dove’s poem TESTIMONIAL), a work for soprano, chorus and orchestra commissioned by the Oratorio Society of Virginia (premiered in May 2018) and STILL HOLDING ON (February 2019) an orchestra work commissioned and premiered by the Los Angeles Philharmonic. He is currently working on his Fourth Symphony, and A KNEE ON A NECK (tribute to George Floyd) for chorus and orchestra.

Dr. Hailstork resides in Virginia Beach Virginia, and is Professor of Music and Eminent Scholar at Old Dominion University in Norfolk.

Maestra D’Walla Simmons-Burke  

D’Walla Simmons-Burke is the Director of Choral and Vocal Studies and founder of three of the five choral ensembles currently existing within the department of Music at Winston-Salem State University (Winston-Salem State University Singing Divas; Complesso Voce’ and the renowned Burke Singers). The fourth choral ensemble is the Grammy-nominated Winston-Salem State University Choir (aka WSSU Singing Rams).  Her choirs have performed with local/regional and world symphony orchestras and is well sought after for its performances of master choral works, social justice, spirituals and world music.  These ensembles have also performed on national stages such as Carnegie Hall and the Lincoln Center for the Performing Arts.  Maestra Simmons-Burke has also performed internationally with her choral ensembles and as a guest conductor/lecturer (Prague, Czech Republic; Nassau, Bahamas; Accra, Cape Coast & Kumasi, Ghana – West Africa; and Pilanesberg, Cape Town and Johannesburg – South Africa).  D’Walla served as one of the national conductors for the 105 Voices of History Concert Choir during their performances at the John F. Kennedy Performing Arts Center and in Nassau, Bahamas.  She also led within the 105 Voices of History Concert Choir as the national choral coordinator and one of three national conductors who lead them in their inaugural performance at the Grand Ole Opry.

Under Simmons-Burke’s baton, her choral ensembles have performed for and/or with regional, national and international dignitaries.  She has been the recipient of several teaching, community service and performance awards for her national achievements in music and research.  She is listed in Outstanding Young Women of America and holds memberships in several professional organizations such as the Music Educators National Conference; American Choral Directors Association; Chorus America; National Association for the Study and Performance of African-American Music; National Association of Negro Musicians; Intercollegiate Music Association; Alpha Kappa Alpha Sorority, Inc., The Moles, and The Links, Inc.

Simmons-Burke serves as the musical consultant for the Stacey V. Gibbs and Just Music Vocal Ensemble.  She has made numerous guest appearances as a conductor and adjudicator for high and middle school All-State/All-County festivals and collegiate choral festivals/workshops. She is often sought after as a choral music clinician and lecturer.

Stanley J. Thurston

Stanley J. Thurston is a conductor and composer residing in the Washington D.C. area. He has appeared as guest conductor with many symphony orchestras in the region and country, including the National Symphony Orchestra. Choruses under his direction have performed with the National Symphony Orchestra, Alexandria Symphony Orchestra, Washington Symphony Orchestra, Baltimore Symphony Orchestra, and Joffrey Ballet, among others. Mr. Thurston is well known as a pianist, composer, and arranger. His orchestral arrangements have been performed by the symphony orchestras of Baltimore, New Jersey, and the National Symphony Orchestra.

He recently served as panelist for the D.C. Commission on the Arts and Humanities, guest conductor with the Choral Arts Society of Washington Martin Luther King, Jr. Tribute Concert and guest conductor with the Cathedral Choral Society. As Artistic Director for Washington Performing Arts Society Men, Women and Children of the Gospel Choirs, he has appeared with such well-known artists as Dame Kiri Te Kanawa, Denyce Graves, Kathleen Battle, the Canadian Brass, Sweet Honey in the Rock and jazz legends Ramsey Lewis and Wynton Marsalis, as well as NBC Today Show.

Mr. Thurston was commissioned by the 2009 Presidential Inaugural Committee to compose and conduct a special musical tribute for President Obama National Prayer Service sung by the WPAS Choir at the Washington National Cathedral. He is the founding Music Director of The Heritage Signature Chorale. A graduate of the American Academy of Conducting at Aspen, he made his European opera conducting debut in Verdi style La Traviata with Romania Opera Constanta, returning to conduct Donizetti Lammermoor. Previous positions have included Music Director position of the National Symphony Orchestra style NSO In Your Neighborhood concert series, guest conductor for NEA style America Sings, Choirmaster, and guest clinician conductor for D.C. Commission on the Arts DC Choral Masterpieces workshop.

He currently serves as Director of Music at Foundry United Methodist Church, Washington, D.C.

About the Washington Master Chorale

The Washington Master Chorale is a vibrant, sixty-voice professional and volunteer chorus that has quickly garnered a reputation throughout the Washington region for vocal excellence and discriminating concert programming. Since its debut concert in 2010 under the baton of Artistic Director Thomas Colohan the Chorale’s performances have received repeated critical acclaim. The Washington Post hails the ensemble’s singing as “remarkable for its beauty,” “seamlessly blended,” and “a sound worth hearing.”

Equally at home singing the work of both American and European masters, the Chorale is noted for its innovative presentation of choral works within the context of their culture and time. The group focuses on choral repertoire from the 19th century onward with a particular emphasis on music of the 20th and 21st centuries. The Chorale is also dedicated to the expansion of the choral canon, and maintains that commitment through its annual commissioning of new choral works by leading American composers.