Church of the Epiphany
1317 G Street NW, Washington, DC 20005Accessibility informationVenue information
Student $10 · Orchestra $45 · Premium Orchestra $70
Buy tickets for Pathways of LightWashington Master Chorale · 2026–27 Season
The songs of ordinary people, raised into art.
Accessibility information·Venue information
Student $10 · Orchestra $45 · Premium Orchestra $70
Buy tickets for Pathways of Light$45
Watch a recording of the concert at home. A viewing link will be emailed approximately two days after the performance and will be available for one week.
Buy virtual ticketsBefore it belonged to composers, this music belonged to anyone who could carry a tune.
Antonín Dvořák spent a career proving that was enough. His Four Choruses, Op. 29 take the folk melodies of his own country and treat them with the seriousness reserved for sacred text. Béla Bartók went walking into the Hungarian countryside with notebooks and came back with treasure.
Then the room itself changes. In Ēriks Ešenvalds’s Northern Lights, the singers set water-tuned glasses ringing and power chimes shimmering beneath an old Latvian text about a boy watching the sky. The sound doesn’t seem to arrive from the front of the church so much as gather overhead.
And the afternoon closes with R. Nathaniel Dett — who found in Dvořák’s example the permission to bring that same devotion to the American spiritual. The Chariot Jubilee is where that tradition arrives.
Four composers. Two continents. One shared conviction that the songs people sing to one another are worth everything art can bring to them.
The program also looks forward with two new American works: Andrew Vu’s A Golden Day and Kabanya Vinson’s All Creatures of Our God and King, receiving its world premiere.
Come hear where they lead.
Featured Artist
tenor
Born in England and raised in Saudi Arabia, Edward Washington II is a distinguished lyric tenor. His career encompasses engagements with premier companies, including the Metropolitan Opera, New York City Opera, Detroit Opera, Opera Omaha, and the Lyric Opera of Chicago, and his artistry has earned three Grammy nominations and two wins.
Washington’s repertoire spans Tamino in Mozart’s Die Zauberflöte; Robbins in Gershwin’s Porgy and Bess; Puccini minor roles in Turandot, La Bohème, Gianni Schicchi, and Tosca; Ralph and Nanki-Poo in Gilbert and Sullivan; and Mr. Scratch in Moore’s The Devil and Daniel Webster. Edward’s solo concert appearances include Mozart’s Requiem with Alexandria Symphony, Dett’s Chariot Jubilee with Choral Arts Society of NJ, tenor arias with Wheeling Symphony Orchestra, and Hailstork’s I Will Lift Up Mine Eyes with Duquesne University, Urban Choral Arts Society, and Morgan State University. He’s also been featured with Vox Fortura and the American Spiritual Ensemble. He has premiered nine American works and champions new music often.
Last season’s highlights include Solange Knowles’s Eldorado Ballroom, a Carnegie Hall debut, Donizetti’s Rita as Beppe, and Thompson’s Mask in the Mirror as Paul Laurence Dunbar. Edward was also Ben in Hailstork’s Robeson with Trilogy Opera, tenor soloist in Orff’s Carmina Burana with Alexandria Symphony, the featured vocalist with Wheeling Symphony Orchestra’s Celebrate America tour, and a featured soloist in the Metropolitan Opera’s Grammy-winning production of Gershwin’s Porgy and Bess. He also was the inaugural first-place winner of the Edward Jackson Sacred Music Competition. This season, he is excited to debut with Washington Master Chorale and is a proud graduate of Morgan State University, making the DMV a third home for him.