Rachmaninoff Vespers at 100
Celebrate with us as the Washington Master Chorale marks the 100th Anniversary of the world premiere of the Sergei Rachmaninoff’s All Night Vigil, Op. 37. The Chorale will perform this luminous and spiritual sixty-five minute work without intermission. Don’t miss this masterpiece of choral literature in two of the best acoustical settings in Washington. On March 8, at 3pm, a pre-concert conversation will take place between Maestro Colohan and Peter Jermihov, an internationally recognized specialist in Russian music and Orthodox liturgical music. Learn more and get tickets »
(pre-concert conversation at 3 p.m.)
The National Presbyterian Church, Washington, D.C.
Sunday, March 15, 2015 at 4 p.m.
The Church of the Epiphany, Washington, D.C.
On the Air and In the News
WMC Receives NEA Grant
Washington Master Chorale receives a National Endowment for the Arts Grant to support the commissioning of a new choral work by composer, conductor and keyboard artist Julian Wachner, music director of The Washington Chorus, as well as performances of choral works by composers Norman Dello Joio and Morten Lauridsen.
Read more »
NSO Pops Review (December 2014)
“The best combination came early, when the haunting vocals of Schubert’s Ave Maria (provided by the third component of the performance, the Washington Master Chorale) were paired with aerialist Christine van Loo’s triumphant silks choreography.”
Read the full review »
News and Reviews for “A Chorale Tribute to Leonard Bernstein” (October 2014)
Washington Master Chorale offers lively Bernstein tribute from ‘Candide’ to ‘Lark’, by Anne Midgette, The Washington Post
Read review »
Washington Master Chorale presents an interesting all-Bernstein program at National Presbyterian, Metropolitan Arts Reviews Blog
Read review »
Marin Alsop and Michael Tilson Thomas on why Leonard Bernstein and his music live on, by Anne Midgette, The Washington Post
(reference to “A Choral Tribute to Leonard Bernstein” concert in article)
Read the full article »
“The Washington Master Chorale is nothing short of radiant…the choral sound [is] positively gorgeous…a fascinating disc.” — Fanfare Magazine
Learn more and read the full review »
Our winter concerts included a new work by composer and conductor Donald McCullough — “When Christ Was Born,” eight settings of Middle English carol texts for chorus, soprano and baritone soloists and harp (read the Washington Post review of A Winter’s Night on December 16, 2013).
We ended our 2012-13 season on a high note with a concert of new American choral music, featuring the premiere of “The Eye Begins to See,” by Donald McCullough (read the Washington Post review of The Splendid Silent Sun on March 3rd).
WETA evening announcer Nicole Lacroix spoke to Thomas Colohan about the program and about the distinctly American sound of the Washington Master Chorale. Listen to the interview:
Read about the Washington Master Chorale and hear from artistic director Thomas Colohan in “A long finish for a choral director, a new look for Washington’s choruses” (June 11, 2012 in The Washington Post)
Read a letter of appreciation from Alice Parker (Ocober 11, 2011)